Water Simulations
Video Installation, Three channel video, 00.05:00 (loop), 2016
This work was created during my residency at the NSCAD Studio Community Residence in Lunenburg, Nova Scotia. Immersed in a place shaped by sailing, boatbuilding, and maritime life, I became absorbed by the water - spending hours observing and documenting its rhythms and shifting surfaces.
Inspired by Yoko Ono’s Sky TV, which transposes the act of cloud gazing onto a screen in the gallery through a live feed of the sky, this piece reflects on the practice of “water-gazing.” Here, however, the experience is reimagined as a simulation, composed of three moving photographs of the bay.
The accompanying soundscape (accessible via icon below) layers whistles, hums, breath, and the rustle of fabric to echo the wind moving across the sea—a murmuring simulation of water and air within the stillness of the gallery.
Water Simulations
Video Installation, Three channel video, 00.05:00 (loop), 2016
This work was created during my residency at the NSCAD Studio Community Residence in Lunenburg, Nova Scotia. Immersed in a place shaped by sailing, boatbuilding, and maritime life, I became absorbed by the water - spending hours observing and documenting its rhythms and shifting surfaces.
Inspired by Yoko Ono’s Sky TV, which transposes the act of cloud gazing onto a screen in the gallery through a live feed of the sky, this piece reflects on the practice of “water-gazing.” Here, however, the experience is reimagined as a simulation, composed of three moving photographs of the bay.
The accompanying soundscape (accessible via icon below) layers whistles, hums, breath, and the rustle of fabric to echo the wind moving across the sea—a murmuring simulation of water and air within the stillness of the gallery.
Water Simulations
Video Installation, Three channel video, 00.05:00 (loop), 2016
This work was created during my residency at the NSCAD Studio Community Residence in Lunenburg, Nova Scotia. Immersed in a place shaped by sailing, boatbuilding, and maritime life, I became absorbed by the water - spending hours observing and documenting its rhythms and shifting surfaces.
Inspired by Yoko Ono’s Sky TV, which transposes the act of cloud gazing onto a screen in the gallery through a live feed of the sky, this piece reflects on the practice of “water-gazing.” Here, however, the experience is reimagined as a simulation, composed of three moving photographs of the bay.
The accompanying soundscape (accessible via icon below) layers whistles, hums, breath, and the rustle of fabric to echo the wind moving across the sea—a murmuring simulation of water and air within the stillness of the gallery.
Water Simulations
Video Installation, Three channel video, 00.05:00 (loop), 2016
This work was created during my residency at the NSCAD Studio Community Residence in Lunenburg, Nova Scotia. Immersed in a place shaped by sailing, boatbuilding, and maritime life, I became absorbed by the water - spending hours observing and documenting its rhythms and shifting surfaces.
Inspired by Yoko Ono’s Sky TV, which transposes the act of cloud gazing onto a screen in the gallery through a live feed of the sky, this piece reflects on the practice of “water-gazing.” Here, however, the experience is reimagined as a simulation, composed of three moving photographs of the bay.
The accompanying soundscape (accessible via icon below) layers whistles, hums, breath, and the rustle of fabric to echo the wind moving across the sea—a murmuring simulation of water and air within the stillness of the gallery.
Water Simulations
Video Installation, Three channel video, 00.05:00 (loop), 2016
This work was created during my residency at the NSCAD Studio Community Residence in Lunenburg, Nova Scotia. Immersed in a place shaped by sailing, boatbuilding, and maritime life, I became absorbed by the water - spending hours observing and documenting its rhythms and shifting surfaces.
Inspired by Yoko Ono’s Sky TV, which transposes the act of cloud gazing onto a screen in the gallery through a live feed of the sky, this piece reflects on the practice of “water-gazing.” Here, however, the experience is reimagined as a simulation, composed of three moving photographs of the bay.
The accompanying soundscape (accessible via icon below) layers whistles, hums, breath, and the rustle of fabric to echo the wind moving across the sea—a murmuring simulation of water and air within the stillness of the gallery.
Water Simulations
Video Installation, Three channel video, 00.05:00 (loop), 2016
This work was created during my residency at the NSCAD Studio Community Residence in Lunenburg, Nova Scotia. Immersed in a place shaped by sailing, boatbuilding, and maritime life, I became absorbed by the water - spending hours observing and documenting its rhythms and shifting surfaces.
Inspired by Yoko Ono’s Sky TV, which transposes the act of cloud gazing onto a screen in the gallery through a live feed of the sky, this piece reflects on the practice of “water-gazing.” Here, however, the experience is reimagined as a simulation, composed of three moving photographs of the bay.
The accompanying soundscape (accessible via icon below) layers whistles, hums, breath, and the rustle of fabric to echo the wind moving across the sea—a murmuring simulation of water and air within the stillness of the gallery.
Water Simulations
Video Installation, Three channel video, 00.05:00 (loop), 2016
This work was created during my residency at the NSCAD Studio Community Residence in Lunenburg, Nova Scotia. Immersed in a place shaped by sailing, boatbuilding, and maritime life, I became absorbed by the water - spending hours observing and documenting its rhythms and shifting surfaces.
Inspired by Yoko Ono’s Sky TV, which transposes the act of cloud gazing onto a screen in the gallery through a live feed of the sky, this piece reflects on the practice of “water-gazing.” Here, however, the experience is reimagined as a simulation, composed of three moving photographs of the bay.
The accompanying soundscape (accessible via icon below) layers whistles, hums, breath, and the rustle of fabric to echo the wind moving across the sea—a murmuring simulation of water and air within the stillness of the gallery.
Water Simulations
Video Installation, Three channel video, 00.05:00 (loop), 2016
This work was created during my residency at the NSCAD Studio Community Residence in Lunenburg, Nova Scotia. Immersed in a place shaped by sailing, boatbuilding, and maritime life, I became absorbed by the water - spending hours observing and documenting its rhythms and shifting surfaces.
Inspired by Yoko Ono’s Sky TV, which transposes the act of cloud gazing onto a screen in the gallery through a live feed of the sky, this piece reflects on the practice of “water-gazing.” Here, however, the experience is reimagined as a simulation, composed of three moving photographs of the bay.
The accompanying soundscape (accessible via icon below) layers whistles, hums, breath, and the rustle of fabric to echo the wind moving across the sea—a murmuring simulation of water and air within the stillness of the gallery.
Water Simulations
Video Installation, Three channel video, 00.05:00 (loop), 2016
This work was created during my residency at the NSCAD Studio Community Residence in Lunenburg, Nova Scotia. Immersed in a place shaped by sailing, boatbuilding, and maritime life, I became absorbed by the water - spending hours observing and documenting its rhythms and shifting surfaces.
Inspired by Yoko Ono’s Sky TV, which transposes the act of cloud gazing onto a screen in the gallery through a live feed of the sky, this piece reflects on the practice of “water-gazing.” Here, however, the experience is reimagined as a simulation, composed of three moving photographs of the bay.
The accompanying soundscape (accessible via icon below) layers whistles, hums, breath, and the rustle of fabric to echo the wind moving across the sea—a murmuring simulation of water and air within the stillness of the gallery.
Water Simulations
Video Installation, Three channel video, 00.05:00 (loop), 2016
This work was created during my residency at the NSCAD Studio Community Residence in Lunenburg, Nova Scotia. Immersed in a place shaped by sailing, boatbuilding, and maritime life, I became absorbed by the water - spending hours observing and documenting its rhythms and shifting surfaces.
Inspired by Yoko Ono’s Sky TV, which transposes the act of cloud gazing onto a screen in the gallery through a live feed of the sky, this piece reflects on the practice of “water-gazing.” Here, however, the experience is reimagined as a simulation, composed of three moving photographs of the bay.
The accompanying soundscape (accessible via icon below) layers whistles, hums, breath, and the rustle of fabric to echo the wind moving across the sea—a murmuring simulation of water and air within the stillness of the gallery.
Water Simulations
Video Installation, Three channel video, 00.05:00 (loop), 2016
This work was created during my residency at the NSCAD Studio Community Residence in Lunenburg, Nova Scotia. Immersed in a place shaped by sailing, boatbuilding, and maritime life, I became absorbed by the water - spending hours observing and documenting its rhythms and shifting surfaces.
Inspired by Yoko Ono’s Sky TV, which transposes the act of cloud gazing onto a screen in the gallery through a live feed of the sky, this piece reflects on the practice of “water-gazing.” Here, however, the experience is reimagined as a simulation, composed of three moving photographs of the bay.
The accompanying soundscape (accessible via icon below) layers whistles, hums, breath, and the rustle of fabric to echo the wind moving across the sea—a murmuring simulation of water and air within the stillness of the gallery.
Shape Dresses (Second Series)
Performance with textiles, 00.03.09, 2020
This work brings into question the definition of shape. Traditionally understood as a flat figure or form materialized by line or colour, shape here gains depth when placed on the body. As cloth unfurls across outstretched limbs in a slow choreography, a static form becomes a moving, breathing shape. No longer fixed when placed on the flexible body, this pieces offers a dynamic understanding of what it means “to shape,” “shape up,” or “take shape.”
This second series completes the colour spectrum, exploring secondary forms and complementary colours. While the first series focused on geometric foundations, together these works reflect on the rainbow as a collective symbol - encouraging hope, resilience, and togetherness.